
vrijdag, maart 07, 2008
World Press Photo achter de schermen
Adam Broomberg en Oliver Chanarin, twee juryleden van de World Press Photo-competitie van dit jaar, schreven voor Foto8 een fascinerend stuk over het juryproces. Een onthullend kijkje achter de schermen.
Enkele passages:
"Flicking through the 81,000 images originally submitted a sense of deja vu is inevitable. Again and again similar images are repeated, with only the actors and settings changing. Grieving mothers, charred human remains, sun sets, women giving birth, children playing with toy guns, cock fights, bull fights, Havana street scenes, reflections in puddles, reflections in windows, football posts in unlikely locations, swaddled babies, portraits taken through mosquito nets, needles in junkies’ arms, derelict toilets, Palestinian boys throwing stones, contorted Chinese gymnasts, Karl Lagerfeld, models preparing for fashion shows backstage, painted faces, bodies covered in mud, monks smoking cigarettes, pigeons silhouetted against the sky, Indian Sardus, children leaping into rivers, pigs being slaughtered."
"Each of us clasped a voting button in the half darkness, and as the images flashed across the screen we voted anonymously to keep it in the competition or 'to kill it'. As we progressed the long serving secretary and master of ceremonies, Stephen Mayes, announced in dry tones the results of each round of votes, a stream of IN’s and OUT’s, occasionally elaborating, 'birds of paradise IN, snakes OUT, suicide bomb IN, dead children OUT, women with acid burns IN, Chairman Mao impersonator OUT, Guantanamo Bay detainee IN, sumo wrestles OUT…' The mechanism used for voting, nine buttons connected to a central computer display was originally developed for a Dutch TV game show. At this stage caption information is not available; each image must be judged on aesthetic grounds, outside of the context for which it was created, severed from words of explanation."
"In the final analysis we were chosing between a French landscape, a dead guerrilla, an HIV positive mother and an American soldier. A strange task. Rather predictably the majority vote went to Tim Hetherington’s soldier.Yet comparing so many diverse images and ultimately declaring one of them a winner feels meaningless."
Enkele passages:
"Flicking through the 81,000 images originally submitted a sense of deja vu is inevitable. Again and again similar images are repeated, with only the actors and settings changing. Grieving mothers, charred human remains, sun sets, women giving birth, children playing with toy guns, cock fights, bull fights, Havana street scenes, reflections in puddles, reflections in windows, football posts in unlikely locations, swaddled babies, portraits taken through mosquito nets, needles in junkies’ arms, derelict toilets, Palestinian boys throwing stones, contorted Chinese gymnasts, Karl Lagerfeld, models preparing for fashion shows backstage, painted faces, bodies covered in mud, monks smoking cigarettes, pigeons silhouetted against the sky, Indian Sardus, children leaping into rivers, pigs being slaughtered."
"Each of us clasped a voting button in the half darkness, and as the images flashed across the screen we voted anonymously to keep it in the competition or 'to kill it'. As we progressed the long serving secretary and master of ceremonies, Stephen Mayes, announced in dry tones the results of each round of votes, a stream of IN’s and OUT’s, occasionally elaborating, 'birds of paradise IN, snakes OUT, suicide bomb IN, dead children OUT, women with acid burns IN, Chairman Mao impersonator OUT, Guantanamo Bay detainee IN, sumo wrestles OUT…' The mechanism used for voting, nine buttons connected to a central computer display was originally developed for a Dutch TV game show. At this stage caption information is not available; each image must be judged on aesthetic grounds, outside of the context for which it was created, severed from words of explanation."
"In the final analysis we were chosing between a French landscape, a dead guerrilla, an HIV positive mother and an American soldier. A strange task. Rather predictably the majority vote went to Tim Hetherington’s soldier.Yet comparing so many diverse images and ultimately declaring one of them a winner feels meaningless."